Werner Diermaier's repetitive drum beat and Jean-Hervé Peron's stripped-down bassline conjure a tense
He formed significant musical relationships with instrument builder Max Eastley
and improvised piano refrains
The studio attracted composers such as Karlheinz Stockhausen and Edgard Varèse and in that same year Schaeffer and Henry produced and premiered the first opera concrète
and its sense that anything could happen at any moment
Pieters/Russell/Stapleton – Cold Sweat b/w Max Sings [7"] Avant-Garde / Leftfield Werner Diermaier's repetitive drum beat"The trio of Kim Pieters, Bruce Russell, and Peter Stapleton is well known to listeners who recognize and understand a good thing when they hear it. Their two CDs, Last Glass (Corpus Hermeticum 007, 1995) and Sex Machine (Metonymic 005, 1999), are powerful extensions of free music improvisation, taking the shake of the unknown well past the barriers of all suspected tongues. The A side of this 33rpm 7" is a palate forcing distender of their previous