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the final was the double line version with the words at a right angle and the “I” on either side of the “M” holding hands
And then we were able to dive into the work of Kenji Nakayama
it shows the same popular typefaces printed via different methods and on different papers
marked twenty years of publishing
opening a door to the outside
Graphic Design 94 2023-07-16 the final was the doubleWhat were graphic designers in Japan thinking about and looking at in the summer of 1984? Theres only one way to know: Look in an issue of graphic design from the summer of 1984. The English table of contents will give some clues, but we apparently forgot to take a picture of it. We see "Toawards an International Symbology, articles on Katzumie masaru, a review of travel guides by Richard Saul Wurman, and more. And the cover was designed by Ikko
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