Philippe Le Miere 'The good life' black & white 'Late Afternoon' 1991

'Late Afternoon' 1991

refer to photos

Jeffrey Makin calls on this gravitas in his portfolio ‘Australian Felix’ – a series of 10 etchings created for World Environment Week

Marina FINLAY (1961 - )

he plays with the pictorial grid

Philippe Le Miere 'The good life' black & white 'Late Afternoon' 1991Philippe Le Mieres digitally rendered landscapes were born as free form sketches, drawn on the computer. They then grew into 3D computer generated models, virtual worlds Le Miere could roam, finding the perspective which would form his work of art. The good life is not a real place coordinates you can swivel but cant locate. It may be informed by the surroundings of Mornington Peninsula where the artist grew up, as well as the history of landscape