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composed and interpreted by Claire Vailler
Composed a year and three months after Al-Aqsa Flood
who entered the New York art scene in the late 1960s
Printed in Poland
Art as Demonstration reconceives the history of postwar art in Eastern and Western Europe from the perspective of demonstration
ARTMargins, Volume 12 Issue 3 gallery composed and interpreted by ClaireThe writings in this issue all share a preoccupation with the silences, disappearances, and contradictions within historical archives. Across national, regional, and diasporic spaces, they attend to the deliberate acts of remembering and forgetting that accompanied the political, economic, and technological shifts of the postwar era. Often violent, sometimes incomplete, these shifts required and begat different roles for artistic practice. The
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