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holding a tension between how we believe we are seen and how we see ourselves
Okinawa s49 SUPER LABO++
ISBN 978-4-911112-14-4
It's been more than two years since we began to wear face masks on a daily basis
I prefer an extreme mess of material objects in the city just like the surface of the Jackson Pollock’s painting
TOKYO EYES<br>Herbie Yamaguchi<br>(ハービー・山口) Out of print holding a tension between howUntil a few years ago, before the Covid 19 pandemic, I would have instantly stepped away from people walking towards me wearing black face masks because I thought they looked suspicious. Since wearing masks has now become an ordinary routine, those wearing black masks appear to me as stylish people who are fashionably coordinating their masks with their clothing. It is incredible how much our habit of wearing masks has changed perceptions. To me now,
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